<![CDATA[Joanne Wilshin - Writer. Teacher. Explorer. - Findlings Blog]]>Fri, 03 Jan 2025 13:38:33 -0800Weebly<![CDATA[What About the Poem Voice?]]>Thu, 17 Jun 2021 21:05:28 GMThttp://joannewilshin.com/findlingsblog/what-about-the-poem-voice
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Remember this Sandra Boynton stationery
from the 80s?
   Readers have asked me if Anna, the poem voice, was real.

    The answer is YES!
 
   That little scene in the last chapter of The Findlings, where Delilah and Bibi discuss Anna, did in fact happened. Not the whole conversation, but that portion where the women argue about the voice’s name, and Delilah reveals who it actually is.

    That single moment continues to be one of the most alarming, revealing, astounding, and beautiful moments of my life. It meant I wasn’t crazy for hearing voices, and it meant that I was being looked after. Imagine that happening to you! The moment was a game changer for me!
   Anna remained active in my life until 1985, when Mintanyo entered from stage right. She continued dictating poems and providing insights I didn't even know I needed, but relished.

   While Anna did dictate the two poems transcribed in the novel to me, she did not do so months until after I had found my birth mother Irene (Aug. 15, 1981). The longer of the poems titled “Intersections" was dictated on March 9, 1982. I had no idea what it meant at the time. I definitely understand it now. I had quite the learning curve.

   On the right are pictures of and from the journal in which I kept Anna's and my poems from 1982. 

There are, have been, and will always be tons of us who know things we can’t explain why or how we know. We know because our wiring allows it. 
  
   In The Findlings, Anna, the narrator with an agenda, does all she can to reunite her three siblings.

   In real life, she did the same thing, but in different ways. She would feed me names, and I’d have to call the operator to get phone numbers and addresses. After all, in 1981 the Internet did not exist for public use.

   You may wonder if Anna, in reality, conjured that yellow piece of paper? No, she did not. At least not to my knowledge.

   You may also wonder why I even included her in the book, given the negative attitude people have about those who hear voices, see visions, and feel premonitions.

   First, I wouldn’t be telling the story's truth if I omitted her. She actually did tell me to call Kettenburg Marine in San Diego. The elder Mrs. Kettenburg, a woman in her 80s at the time, really did answer the phone and say she was a friend of Irene’s. The fact that that even happened was beyond coincidental to me. It truly felt like fate’s forces were working in my favor. I never would have found Irene or my sister Cecilia without her.

   The second reason I included Anna was because I wanted to normalize the fact that humankind includes radio heads. There are, have been, and will always be tons of us who know things we can’t explain why or how we know. We know because our wiring allows it. 

   Finally, these voices are our helpers, our angels, our guides. They want the best for us. 

   Their help becomes magnified when you help them help you. If you don't understand what they're communicating, tell them. Ask questions. Ask for better understanding and clarity. Ask for help. I've found that the real meat shows up when I ask for clarity. While their first insight may sound awesome, wait'll you ask questions!

   A word of caution, however. If a voice or message seems mean or vengeful, it's probably not one of your guides. Dismiss the voice. There is never a need for meanness or vengeance. Never. 

Hope this helps.

Do you have a poem voice or a guide/angel? I hope you share your experiences with us!


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The end of Anna's long poem with the date.

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This is the book in which I have kept my and Anna's poems from 1982. The journal was given to me by Cecilia.
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Also found on numerous journal pages: three-year-old Nicolas's pensive thoughts.

" “Wilshin’s writing is assured and lyrical, and charged with meaning, and the dash of magical realism adds to the intrigue. What makes this novel seductively readable is Wilshin’s ability to bring her characters and their complex inner lives to life. Wilshin is an author to watch.” BookView Review

The Findlings Joanne Wilshin

Available in paperback or ebook on Amazon.

Read "The Findlings Blog" for fascinating background details and for more on Joanne's continued search to find her birthfather's side of her family.

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<![CDATA[The Findlings Trailer]]>Thu, 29 Apr 2021 22:55:08 GMThttp://joannewilshin.com/findlingsblog/the-findlings-trailer
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<![CDATA[The Findlings: A look at the Meaning of Bibi’s Music]]>Thu, 29 Apr 2021 21:48:57 GMThttp://joannewilshin.com/findlingsblog/the-findlings-a-look-at-the-meaning-of-bibis-music
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In chapter four of The Findlings, the reader is given the first glimpse of Bibi interacting with music. In that chapter, she has more important things on her mind, but Chopin’s "First Ballade" streams through her car’s radio, to her distraction. This piece is important to the entire narrative because it is one of several elements working to break open Bibi’s suppressed memories

"Joanne Wilshin's THE FINDLINGS is an emotional exploration of the impact of adoption on identity. Through its believable and struggling characters, readers are able to understand the complexity of family in all of its forms." IndieReader.com

The Findlings Joanne Wilshin

Available in paperback or ebook on Amazon.

Read "The Findlings Blog" for fascinating background details and for more on Joanne's continued search to find her birthfather's side of her family.

Also, read about the music associated with the Victor character in The Findlings.
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and her very guarded emotions. The "First Ballade" (Ballade No. 1 in G Minor) shows up throughout the book, especially since Bibi decides to learn to play the music, thereby embodying it. At minute 3:08 you can hear the moment her memory full on recognized the music, though not its composer. Here it is:
Bibi loves Beethoven and kind of thrills at some of the stuff he gets away with in his music. In a way, he is a role model for her. He reminds her who she is when she cannot remember. When she decides to play Beethoven’s Waldstein (Sonata No. 21 in C Major) in chapter four, she subconsciously chose it for its adamancy. She relied on it to speak her truth. While she’s playing the Waldstein, she muses at the gall and skill Beethoven showed when composing, basically a one-note riff to start off the second movement of his Seventh Symphony.
Here they are:
Three rock songs show up in narrative that connect with Bibi’s life. The first, Stephen Stills’s “Love the One You’re With,” works as a sort of barometer in her life, which she senses is falling apart regardless of her efforts to keep it together.
Kim Carnes’s “Bette Davis Eyes” is especially poignant to Bibi because from Bibi's perspective Bette has what Bibi doesn’t: the ability to control and consciously activate what’s going on around her.
Lastly, Electric Light Orchestra’s “Hold on Tight to Your Dreams”, shows up at the perfect time for her, as if by grace. We all need cheerleaders with their pom poms and megaphones. This piece was exactly that for Bibi, and it made all the difference. I see it as one of the perfect anthems to hear just before reaching a tipping point. Enjoy.
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<![CDATA[What's True in The Findlings?]]>Mon, 19 Apr 2021 22:02:03 GMThttp://joannewilshin.com/findlingsblog/whats-true-in-the-findlings
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 What’s true in the novel The Findlings?

Good question to ask me. My four-word answer: It’s a novel. (By that I mean: It is NOT a memoir.)

But it’s still a good question, especially since lots of you know I found both my birth parents’ families in 1981 and 1991. In fact, some of you were there when I was looking for one or the other, and when I was coming to grips with the ramifications of it all. You know the story. You supported me in ways that shaped my feelings about humanity; you were that wonderful.
Still, it’s a novel that is based on one real event. 

"Joanne Wilshin's THE FINDLINGS is an emotional exploration of the impact of adoption on identity. Through its believable and struggling characters, readers are able to understand the complexity of family in all of its forms." IndieReader.com

The Findlings Joanne Wilshin

Available in paperback or ebook on Amazon.

Read "The Findlings Blog" for fascinating background details and for more on Joanne's continued search to find her birthfather's side of her family.

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That event is the when I met my birth mother Irene for the first time in maybe thirty-two years. I describe that pretty much as it played out, but from Bibi’s point-of-view.

How about all the stuff going on with my siblings? I made it up. Since I was writing a novel, I had to create conflict. If I’d written a memoir, those conflicts would not be present. A novel HAS to have conflict.

Why then, you may wonder, did I not write a memoir? I chose not to write a memoir because reuniting with birth families is extremely complex emotionally and psychologically. There was no way I could write a memoir without divulging things about my individual family members. Since many of them have died, I did not feel comfortable doing that.

Instead, I wrote it as a novel. The characters are themselves; they are NOT real people. If there are similarities, it is by coincidence.

Given that, what is real, and by real, I mean that it actually, provably happened?
  • Meeting my birth mother in Santa Ana, California.
  • The poem voice’s poems.
  • The letter from my uncle in chapter fifteen. It’s written in pencil.  
  • The vacuuming incident.
  • The stuff about Interferon.
  • Lost and Found.
  • That conversation I had with my mom in chapter thirteen.
  • Maybe some minute details here and there.

Everything else is fiction.

If you ever meet my siblings, my children, my sisters-in-law, or my nieces, they are not the same people found in the book. They are not characters. They did not do or say the things that occur in The Findlings.
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<![CDATA[The Findlings Details: A Look at the Meaning of Victor's Music]]>Sun, 18 Apr 2021 20:07:11 GMThttp://joannewilshin.com/findlingsblog/the-findlings-details-a-look-at-the-meaning-of-victors-music
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There's a lot of music in The Findlings, and not all of you will recognize every piece by name. So here's some help.

For most of The Findlings, torment understandably festers in the hugely talented Victor’s mind, and, dare I say, his soul. So the music that came to me that would best underscore the state of his mind and life came from composers ranging from Wagner and Schumann to Prokofiev and Stravinsky.

Chapter one ("Her Children were Leaves") sees Victor choosing Wagner’s "Pilgrim’s Chorus" (Tannhauser) to be the soundtrack of his life. It cues the reader to know he is on some form of journey or quest. Here is:

"Joanne Wilshin's THE FINDLINGS is an emotional exploration of the impact of adoption on identity. Through its believable and struggling characters, readers are able to understand the complexity of family in all of its forms." IndieReader.com

The Findlings Joanne Wilshin

Available in paperback or ebook on Amazon.

Read "The Findlings Blog" for fascinating background details and for more on Joanne's continued search to find her birthfather's side of her family.

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Later, in chapter five ("The Demanding Path"), the reader notices I’ve given Victor a different Wagner opera to be the background of his life: Lohengrin. I chose that opera for Victor and Bibi’s conversation because of its magic, mythology, and sibling relationships. You'll probably notice that Wagner shows up a several more times in the book, even when Ella and Noah are watching Sesame Street and Disneyland. To me, adding Wagner to The Findlings accentuates its complexity and tragedy. Here is the "Bridal Chorus":
In chapter three ("Darkness Being Precarious"), Victor does more than listen to Prokofiev’s “Dance of the Knights” (Romeo and Juliet); he moves to it. I wanted the vulnerable Victor to be driven by something more than himself, and this music does the trick. It reminds him who he is, and who he isn’t. Have a listen and watch:
The reader’s first opportunity to see Victor playing the piano is in chapter seven ("Moving in the Dark"), where he accompanies his talented wife Phoebe as she develops a dance. I wanted Victor and Phoebe to have a piece where the clefs are at odds, yet working together. My choice for them: Stravinsky’s Piano Rag Music. I have no idea if anyone has ever created a dance to this piece, but I'd definitely like to see it whenever it comes to pass. Here’s Stravinsky himself playing it:
And last, the reader’s next opportunity to see Victor playing the piano occurs in chapter eight ("Still Motion"). I give him the simple but poignant “From Foreign Lands and People” from Schumann’s Scenes from Childhood. I wanted something evocative that Grace would have played for him when she was still mothering him. I was helpless to choose something different because of the movie My Brilliant Career; I definitely tried to substitute something else, but couldn't. Maybe that's because I remember watching My Brilliant Career perhaps twenty times just to see and hear the Sybylla Melvyn character play this exact piece because it touched me so. For your enjoyment, Vladimir Horowitz:
I hope these tidbits add to your enjoyment and understanding of The Findlings.
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<![CDATA[That Pasta Recipe from chapter two: Elfo's Special]]>Sat, 17 Apr 2021 23:17:55 GMThttp://joannewilshin.com/findlingsblog/that-pasta-recipe-from-chapter-two-elfos-special
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Photo: MemphisFlyer's article about Ronnie Grisanti's Memphis Restaurant.
   In chapter two of The Findlings, Bibi makes Elfo's Special for her family's fated Saturday night dinner.
   My idea for having Bibi make this meal sprang from a cookbook I got for Christmas in 1974: Mary and Vincent Price's A Treasury of Great Recipes. I adored this cookbook because, besides the fact that the recipes weren't all that hard to make, I knew that whatever I made it would be a hit.  
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Vintage glass battery box
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Grisanti's in Memphis.

"Joanne Wilshin's THE FINDLINGS is an emotional exploration of the impact of adoption on identity. Through its believable and struggling characters, readers are able to understand the complexity of family in all of its forms." IndieReader.com

The Findlings Joanne Wilshin

Available in paperback or ebook on Amazon.

Read "The Findlings Blog" for fascinating background details and for more on Joanne's continued search to find her birthfather's side of her family.

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   Besides the Breast of Capon au Whiskey and Blom's Black Pot, I often served Elfo's Special to guests. Garlic, shrimp, and Romano cheese would perfume my home, and the sounds of guests' laughter would rise in anticipation of the meal. I'd usually have the table adorned with my large glass battery box filled with calla lilies and bird of paradise (I lived in SoCal).  Then  I'd set a couple of platters off Elfo's Special on the table, along with several sets of tongs so guests could easily dig in.
   Naturally I thought, when writing chapter two, here's Bibi NOT wanting to put on the family dinner, but definitely wanting to win a prize for doing so. What would she do? Make Elfo's Special!
   And so, here's the recipe copied from the Prices' cookbook:
Elfo's Special (serves two)
Buttered Spaghetti with Shrimp and Mushrooms

4 oz. thin spaghetti
½ c. butter
1 small glove garlic, minced
4 jumbo raw shrimp, diced
3 large mushrooms, diced
½ t. salt
½ monosodium glutamate (I never added this)
Freshly ground pepper to taste
3+ T. grated Romano cheese

- Cook spaghetti in rapidly boiling salted water for 10 minutes. ("Use long fork to stir spaghetti so it won't wed," were the chef's romantic directions!) Drain, rinse with cold water, and set aside.
- Heat in a large skillet: butter
- Add garlic, shrimp, and mushrooms. Cook slowly in the hot butter for 5 minutes.
- Add spaghetti to the skillet. Sprinkle with Romano cheese, salt, pepper, and monosodium glutamate. (Note: you don't have to add the MSG. This was written back in 1974.)
- Using a large spoon, turn spaghetti over from edge of skillet to center, being careful not to cut it. (Note: I used a large pot.)
- Continue until spaghetti is very hot, but do not let the butter brown. Turn out onto warm dish and sprinkle with remaining Romano cheese. Serves two.

Bon appetit!
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<![CDATA[Twenty Questions: Book Club Discussion Questions for The Findlings]]>Fri, 16 Apr 2021 22:14:30 GMThttp://joannewilshin.com/findlingsblog/twenty-questions-book-club-discussion-questions
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For those of you who plan to read and discuss The Findlings in a book-club setting, you might consider using the following questions as conversation starters:
  1. What were some of your initial assumptions about the various characters, and how did those assumptions evolve as your read on?
  2. What role did truth and dishonesty play in the lives of the various characters?
  3. Whose side did you find yourself taking in chapter two’s family dinner?
  4. Why do you think the author chose to have a disembodied narrator who was on a mission?

"Joanne Wilshin's THE FINDLINGS is an emotional exploration of the impact of adoption on identity. Through its believable and struggling characters, readers are able to understand the complexity of family in all of its forms." IndieReader.com

The Findlings Joanne Wilshin

Available in paperback or ebook on Amazon.

Read "The Findlings Blog" for fascinating background details and for more on Joanne's continued search to find her birthfather's side of her family.

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5. What part did honesty, or the lack of it, play in Victor’s life?
6.  How did you feel reading about Bibi and Delilah’s forays into the occult? What do you think drove them?
7.   In the opening scene, Anna and Delilah are at odds with one another. How did this disagreement play out in the rest of the book?
8.  How did the six senses help or hinder the four siblings reconnecting in their thirties?
9.  How would this story have changed if it were to take place in the 2020s?
10. The Findlings is based on the real event of the author meeting her birth mother for the first time in thirty years. How did that knowledge affect your enjoyment and/or understanding of the book?
11. Which character, in your opinion, made the biggest mistake, and why?
12. Which character, in your opinion, was the bravest, and why?
13. The book’s chapter titles are take-offs on phrases from T. S. Eliot’s Four Quartets, a poem about time and memory. How were you affected by the chapter titles?
14. How would this story be similar and different if it took place today?
15. With which character do you most and least identify, and why?
16. What are the various motives driving Anna?
17. What is the relationship between Delilah and Grace?
18. In what ways were you surprised by how the relationship between Bibi and her mother Signe changed?
19. What role did suppressed-memory play in the book? What role has supressed-memory play in your life?
20. What would you like to ask the author?
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<![CDATA[The Findlings publication date set for April 26, 2021]]>Fri, 16 Apr 2021 20:03:30 GMThttp://joannewilshin.com/findlingsblog/the-findlings-publication-date-set-for-april-26-2021   Yay!!! I am thrilled and proud to announce that The Findlings's publication date has been set: April 26, 2021.
   It will be available in paperback and Kindle on that date. Pre-order HERE
   The Findlings is a novel, and not a memoir. It is, however, based on this real event: my meeting with my birth mother for the first time is thirty years. The characters and events are fictional. Any resemblance to real life is coincidental.
   I hope you'll read it, and it will add to your life! (It has a happy ending.)
   Pre-order HERE.  
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<![CDATA[When I Met My Other Brothers]]>Tue, 05 Feb 2019 23:26:40 GMThttp://joannewilshin.com/findlingsblog/when-i-met-my-other-brothers
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Bill Jepson and Peter Jepson on Coronado Island, San Diego, CA, circa 1991
 Meeting my father's two sons took some doing.

First, as you read in a previous post, I had to get confirmation from my birth mother Irene Sargent Nielen that Roscoe Jepson was my father. At that meeting, she also told me my brothers' names: Bill and Peter. (For a thrill, here's the Roscoe Jepson page.) Irene also told me she thought Peter lived in Galveston, Texas, but Bill was still in San Diego.

That done, I called Peter and William Jepson in the San Diego phone book. No luck.

Then I had this very weird experience, which I now

must acknowledge is not any weirded than all the other eerie things needed to take place for me to find Irene.

I enrolled in a three-day grant-writing class in downtown Los Angeles. One of the participants was the radio communications instructor (or maybe he ran the campus radio, can't remember) named Barry. I can't remember his last name. When he announced he taught in Galveston, I recklessly asked if he knew Peter Jepson. His shocked expression said it all. "Pete!" he said. "Pete's one of  my best friends."

I echoed his shock and gave him my phone number.

He then asked how I knew Peter. I said, like there was nothing strange about it at all, "He's my brother, but I've never met him."

Within this same time frame I asked my friend Francis Furtaw, who moved to Coronado Island, to see what he could find. Bingo! He found William, whom he said had married the admiral's daughter. He also game me William's phone number.

And that one part of how I skipped wondering about my brothers and entered the fast track to meeting them.

I decided to be surreptitious when calling Bill. I said I was looking to give his brother Peter a message. I had no idea what sort of reaction my existence would incite in Bill. That's always a problem for adoptees. 

Bill said he'd give Peter my message, which I took as my invitation to tell him I was his sister.

Bill was not pleased, and the phone call last mere seconds after that.

Maybe a month passed after this when I received a phone call from Peter. He told me a date he'd be arriving in San Diego from an Alaska fishing trip. He asked if I'd pick him up, and they'd go to Bill's house, which wasn't that far away.

Gleefully I accepted.

I don't have pictures of the moment I met Peter, but he was the last one off the plane. He sported a baroque goatee, which I loved. I didn't know anything about him, but I loved him. And I couldn't get over how happy he was to have a sister.

When we arrived at Bill's, the energy changed. Bill was not thrilled. While they discussed who in the family I favored, there was this issue that the secret of my existence could reach other members of my family. I accepted, at the time, their request, and never contacted any other member of their family.

But it's been almost thirty years. I know Peter has died. So has my brother Jim. I have decided to no longer keep my existence a secret. It is not my fault I was born a certified bastard. I hope you who read this understand my change of sentiment.
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Me with my brother Bill Jepson in his kitchen on Coronado Island.
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Me with Peter Jepson in his brother's living room on Coronado Island. I'd just picked him up at the San Diego Airport upon his return from an Alaskan fishing trip.
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Me, my brother Jim Cook, and my sister Cecilia Nielen Games, circa 1981.
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This is a picture of our grandfather, William Nils Jepson, who's seated in the middle. I cannot get over how much he looks like my brother Jim Cook (ne Jaime Alexander Sargent).
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<![CDATA[Healing on Your Own Schedule (Synchronicity is the adoptee’s helping hand.)]]>Fri, 18 Jan 2019 23:39:52 GMThttp://joannewilshin.com/findlingsblog/healing-on-your-own-schedule-synchronicity-is-the-adoptees-helping-hand
  Does the whole process of healing the adoptee’s wound overwhelm you? Like, when will it ever end?
   I know I felt this way when I found my birth mother ’81 and my birth father in ’91. I’ve had a lot of time to heal, and I’ve come out on the other side, which makes me I feel like a veteran at it. If you’d like to read further, I’ll share 7 thoughts on healing.
1.  Adoptees are all different.

Obvious statement, right?

You get a hundred adoptees in a room together, and you’ll get a hundred different stories, with a hundred different reactions, a hundred different pains, a hundred different scars. They may share some qualities and wounds, but they are all still different.

For example, my biological brother and I were adopted together at ages 2 and 3. I was the obedient adoptee because I hated this whole thing of being given away. If I could prevent be abandoned, I would give it my all. My brother was not an obedient adoptee. Every day seemed like a new opportunity for him to dare our parents to give us away like our birth mother did.

Two kids. Same mother. Somewhat the same experience. Two very different responses
2.  All adoptees have a wound.

I’m going out on a limb here: every child taken from his mother (and father), either though abandonment, her death, or abduction, will bear a wound. That wound might a sub-dermal irritation that flares up on occasion. Or it could be a gaping tear that needs extensive treatment to heal.

Nature designed all of us to feel wounded at the loss of our mother, our father, and our whole genetic family. It’s not supposed to make us happy to lose our mothers and our family. Nature designed us to stay together.

Alas, the ideal is not always possible.

3.  All adoptees have different wounds.

One of the things that results in adoptees having such varying wounds is their reaction to what has happened. When a mother disappears, her child uses its limited thinking ability to decide what has happened. “She doesn’t love me.” “I’m unlovable.” “I don’t matter.” The list goes on and on.

It doesn’t matter if the child’s decision is true or not. The decision has been made, and it will be a factor in many of the child’s future decisions.

In a way, you could say the child is self-wounding himself. But that’s cruelly unfair. Children, by nature, have limited cognitive skills. They’re always misunderstanding the world. The younger the child, the more apparent this is.

Thus, the wound is a combination of the separation event and the helpless child’s initial decision(s), as well as many his ensuing decisions.

4.  Not all adoptees scar the same.


Now I’m getting to the meat of this post.

Wounds, by their nature, focus on healing. They scab up, new tissue grows, the scabs sloughs off, a scar often remains. Time heals all wounds. Sort of.

A psychological wound follows somewhat the same path. The owner of the wound tries to cope, develops new attitudes, makes new types of decisions, forms a scar over the original wound.  

But there’s all kinds of variables that impact and thicken this scarring over. Maybe the scab gets ripped off before healing can happen. Maybe there’s an infection that affects the child’s whole system. Maybe the wound felt like a bruise at first, but it kept being kicked over and over.

All sorts of life events affect and deepen the scars adoptees carry around. Innocuous things like the Cabbage Patch dolls of the 80s. Riveting events like the children the US Homeland Security Department is taking away from their parents.

5.  Not all pain can be felt.


Adoptees also carry around numb scars, wounds that cannot be felt.

But they can be felt, all right. It just takes an expert to get that feeling felt.

In retrospect, it was the healing of those painless wounds that brought change. How’d they get found? Through a therapist’s question. Because a body worker moved my arm in a new way. Once an intuitive told me something that cracked the thick wall of an experience I’d walled up and dammed away.

6.  There is no right way to heal.

That’s right. There’s no right way. There’s no pure path. No formula.

But there is a right way for you. There is some combination that will work best for you over the long haul. Maybe some therapy here, some journaling there, some body work, and then some therapy with a new professional or the same from before. Maybe some art therapy, or taking a retreat here and there, along with acting and role playing, as well as another kind of body work.  

So how do you get the right way for you?

Synchronicity.

7.  Synchronicity is the adoptee’s helping hand.

Adoptees can create their own synchronicity, in terms of healing. Synchronistic healing is healing that comes to you at the right time on your healing path. In other words, the adoptee simply wants to be healed, states it out loud or in writing, and then stands aside for what’s-next to appear.
 
I know it sounds wacky, but throughout my healing the times I created synchronicity were the times when I healed the easiest.

For example, in the late 80s, I found myself stuck on an issue because I couldn’t feel the pain. There was something I should have felt angry about; instead I felt nothing. To get past it, I wrote on a piece of paper, “I heal from this. I feel this thing I cannot feel.” I put the paper in a little box and let it do its mojo.

Within two weeks two different friends told me about going to a Jin Shin Jitsu practitioner, something I’d never even heard of. I took it as a sign and made an appointment. Long story short, the practitioner simply pressed her thumb into different places in my body and I’d start to cry, or I’d feel angry. Conversations with the practitioner enlightened me about the issue, and I was able to take that knowledge to my therapist and work toward healing.
Creating synchronicity is pretty easy.

Read another example of synchronicity: How I Found My Birth Father.

At least give it a try!
  • Figure out what you want healed. If you don’t know, that’s okay.
  • Assert that you want to be healed. Write it. Say it. Whatever you want.
  • Then get out of the way so the answer can come to you. No need to be psychic!
  • Pay attention what comes your way. Hear conversations. See what jumps out at you on television or in magazines. If you’re woken in the middle of the night, write down what comes to you on a pad of paper you’ve kept near your pillow.
  • Then act on it, if it feels right.
  • And be grateful synchronicity graces your life!
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<![CDATA[How I Found My Birth Father (Let's hear it for synchronicity!)]]>Fri, 18 Jan 2019 23:38:10 GMThttp://joannewilshin.com/findlingsblog/how-i-found-my-birth-father-lets-hear-it-for-synchronicity
It was really weird how I found my father. I wasn’t even looking for him.

In 1991 I kept pretty busy teaching junior high school English and driving my kids to school and soccer games. A dull depression had dogged me for past six months, and I wanted to know what it was about. As I’ve learned to do, I stated out loud that I wanted to know what the depression was about.

Within days, I walked into the teachers’ lounge and sat down at the table. Lying before me was an October 1988 edition of American Heritage magazine, which, to me looked like a high end Saturday Evening Post.
Bored, I opened the magazine scanned some pages featuring the portraits of artist Irving R. Wiles, a contemporary of John Singer Sargent. One particular portrait stood out to me, a painting of a young military officer in his whites.

Instead of stopping to read about the painting, I continued skimming through the magazine, noticing its id-west and east-coast focus.

Then I returned to the portrait of the young man.

Something about his eyes. And his ears. And his forehead. He looked oddly like my brother, with whom I’d been adopted. (Jim's picture is up on the header, sitting next to me. See the resemblance?)

Then I read the young man’s name.  

Lt. Col. William Roscoe Jepson.

Roscoe Jepson!

When I’d found my birth mother in ’81, she told me my father’s name was Roscoe Jepson.

Shivers roared through me.

I stole the magazine (I have to this day) and brought it to the copier room, where I ran off two copies. Copiers then aren’t what they are now.

I mailed a copy to my brother Jim in Santa Barbara and one to my sister Cecilia in Lubbock. (Cecilia is my sister I found when I found my birth mother. She is five years younger than I.)

In a couple of days, I was getting answering machine messages: “He looks just like you.” “He looks exactly like Jim.”
When school closed for the summer, I made the trek to Happy, Texas, the town without a frown, to confront my birth mother with the portrait.

Her response?

“Yes, that’s Roscoe.”

And so began a new chapter in my life. And new wounds needing to be healed.
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<![CDATA[First Sight]]>Tue, 25 Dec 2018 19:50:42 GMThttp://joannewilshin.com/findlingsblog/first-sight
The Findlings Blog, Joanne Wilshin, A blog about being an adoptee, finding birth parents, and healing the adoptee wound.
It was late December 1981, at LAX.

My sister Cecilia just emerged from the disembarking tunnel. It was the first time I'd ever seen her in the flesh. She has the dark hair, but we both have the curls.

Four months earlier, I'd found her mother Irene, my birth mother, in Santa Ana, California, some ten miles from my home in Huntington Beach.  She was in a convalescent home home getting over something I can't remember. She told me I had a sister.  Cecilia was her name. I'd never had a sister. I was the only girl in a family with two brothers.
I remember smiling at the thought that my original name almost rhymed with my sister's. Priscilla and Cecilia. And so continued my journey.

I would go on to find meet members of my birth mother's family. The feeling of no longer being alone, dropped from the sky, didn't really evaporate, but it eased significantly.

I cannot express how ground-rattling it was for me to discover that there really were others just like me. My gene code.

You see, I was a liberal person raised in a conservative home. To fend for myself, I hung out with other liberal people because we tended to value similar things.

When I found my birth family, I discovered a whole clan of liberal people. It was like I'd found the nest I'd fallen out of.

I would go on to find my birth father's family. I've only met my brothers, because they thought it best the rest of their family not know what a scamp their very-married dad had been by siring several children out of wedlock.

Alas. The secrets.

Unraveling the secrets is a necessary part of the journey.
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